“We never look at just one thing we are always looking at the relation between things and ourselves” (p. John Berger in his text ‘Ways of seeing’ (1972) makes a similar point by stating “The way we see things is affected by what we know or what we believe”. Rather, the artists speak of creating art that enables multiple interpretations within a range prompted by the piece” (p.96). Sharing Serig’s (2008) conclusion on this matter, he states “The artists want their work to be viewed they want reactions, but they do not create art with the mindset of getting one, right interpretation from viewers. In other words, they only wish to trigger the spectators’ conceptual system in order the latter to make their own personal connections with the art piece. Artists that are true to their practice simply want to generate other metaphors to their spectators. “Before exploring the viewers’ perception of metaphors communicating through art, it is important to mention here what the artists want from the viewer to ‘see’. The viewers perception of metaphors in art Picasso and the metaphor of the Minotaur. To me, the furry starry night provides a visual metaphor about what the original starry night has become. It is a pet that is loved and stroked by its owner and who bestows a sentimental persona upon that pet. Van Gogh’s work is so famous, so revered, so popular that this, one of his most famous and most popular works, has become like a familiar pet. The reason I chose to show this work in the context of metaphor is as follows. I feel that Murat Yilderim’s work isn’t just an imitation using a different material. mugs, puzzles, tea towels and a digital immersive exhibition. Since the original painting The starry night was made, copies have appeared in many forms and in a variety of media e.g. however, since modern art has become digital, i have turned all this into my favorite 3d artwork.” i have been impressed by classical paintings since my childhood. with this effect, i combined the colors of all pictures in an innovative and vibrant way. in this abstract idea, i used furs as a creative tool to move world-famous paintings forward. “it has long been common to reproduce the world’s most famous paintings by imitation. Murat Yilderim is a Turkish visual art director working in Istanbul. Quoted in Exteriors, Interiors, Objects, People, p.44. It is an allegory rather than a representation of a room.” The carpet is a distant view of people on a beach. The ceiling of the room is a space-age view of Earth. Though clearly an ‘interior’ there are complications that cause us to doubt the categorisation. We seemed to be taking a course towards a rosy future and our changing, Hi-Tech, world was embraced with a starry-eyed confidence a surge of optimism which took us into the 1960s. The collage had a didactic role in the context of a didactic exhibition, This is Tomorrow, in that it attempted to summarize the various influences that were beginning to shape post-war Britian. “was to throw into the cramped space of a living room some representation of all the objects and ideas crowding into our post-war consciousness: my ‘home’ would have been incomplete without its token life-force so Adam and Eve struck a pose along with the rest of the gadgetry. Here Richard Hamilton explains his work below. It is a strategy which presents a clue as to the artists intent while leaving room for the viewer’s understanding/experience of the piece and its content.Ī comprehensive study about the ways in which artists use visual metaphor by Daniel Serig 2008 Just what was it that made yesterday’s homes so different, so appealing? It is an image that is used to suggest that it represents something else. It is using images which might suggest a meaning to its viewer. In using a metaphor, the artist is not trying to tell a story or demonstrate what an object looks like. Artists have used visual metaphor in their work instead of, for example, adopting a narrative. To that extent every artwork is a metaphor even if it is illustrative. “A map is not the territory it represents, but, if correct, it has a similar structure to the territory, which accounts for its usefulness.”Īrt can be lots of things but it isn’t reality, it’s a construct created by the artist.
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